The palette in one sentence
Espresso and paper carry the brand, warm neutrals give it room, earth accents mark the details, and garnet appears only where the next step is.
Color philosophy
Warm, never clinical. Interzo is about recovering somewhere that feels like home, not in a ward. The palette has no pure white and no pure black. Text is espresso, surfaces are paper and linen, and every neutral leans toward sand.
Espresso is the brand color. It is the color of the logo, of the text and of the dark sections that frame photography. The brand is recognized by this deep, warm brown before any accent appears.
Accents work at the scale of an element. Cognac and brass mark icons, labels and small details. Garnet is kept for action: the buttons that search, book and confirm. None of them fill a page.
Primary color
Espresso does the heavy lifting. It sets every headline and paragraph, fills the dark bands of the site with paper text on top, colors the solid primary buttons and marks selected states such as the chosen day in a calendar. It replaces black everywhere: a dark surface in the Interzo system is always espresso.
Warm neutrals
The neutrals are the air of the system. Linen is the page itself; paper lifts cards, panels and form fields off it; sand marks a change of section or a softer surface; line draws every border.
Paper is the brand’s white. It is used for every surface that would otherwise be white, and for text and icons placed on espresso or garnet. Pure white #FFFFFF does not appear in the system.
Text tones
Two lighter browns sit between espresso and the neutrals to build hierarchy in text without leaving the warm family.
Espresso soft carries reading text that sits one step below the headline. Stone is for the small print around it: labels, metadata, captions, the hint text inside an empty field.
Accents
The accents come from the same earth as espresso. They give the interface its details: an icon, the label above a step, a bullet, the ring that shows keyboard focus.
Cognac is the accent for icons and short labels, and it draws the focus ring on every interactive element. Cognac deep is its darker shade, used as the hover state of espresso buttons. Brass is the lightest accent: small dots, tags set with espresso text, and the tone of notice messages.
Action color
Garnet is reserved for action. It colors the buttons that search, book and confirm, the badge that highlights a recommended option, the active pin on a map, and the hover state of links and secondary buttons. Garnet deep is its hover.
Because garnet is rare, it reads as the next step on any screen. In the product it stays at the scale of a button or a badge. A full garnet field belongs to brand moments, carrying the logo in its on-garnet treatment.
Functional color
Error red communicates state, not identity. It is used only in forms: the message under a field that needs fixing, the summary above the form, and the faint background of an error notice at 10% opacity. It is darker and duller than garnet so the two never read as the same signal.
Other states stay inside the brand palette: a confirmation is set on sand, a notice on brass at 30% opacity. Every state is written out in words; color never carries a message alone.
Dosage
The system works in a stable proportion that keeps it calm and lets the action color stand out.
Warm neutrals (about 65%). Linen, paper and sand. Most of every layout sits on light, warm ground: linen as the page, paper for cards and forms, sand to mark a change of section. This is what makes Interzo feel calm and domestic rather than clinical.
Espresso (about 25%). Text, solid buttons and the occasional dark band that frames photography or a key message. Espresso gives the system its weight and its contrast; used in larger doses it turns heavy, used less it loses the brand.
Accents (about 10%). Cognac, brass and garnet, always at element scale. Within that share, garnet is the rarest: one or two actions per screen, so the next step is never in doubt.
The proportion describes the feel of the system, not a quota for every layout. What must not happen is accents taking more space than espresso: at that point the palette stops being warm and quiet and starts competing for attention.
Approved pairs and contrast
These are the text and background pairs the system uses, with their contrast ratio under WCAG 2.1, calculated from the HEX values. AA requires 4.5:1 for body text; AAA requires 7:1; AA Large (3:1) passes only for text from 24 px, or 19 px bold, and for icons.
Cognac on sand is the one approved pair below 4.5:1. It is used for icons, which need 3:1, and must not carry body text.
Pairs to avoid
Print considerations
The CMYK values on this page are calculated from sRGB with the standard device-independent formula. Each channel is divided by 255 to give R′, G′ and B′; then K = 1 − max(R′, G′, B′), and C = (1 − R′ − K) / (1 − K), with M and Y calculated the same way from G′ and B′. Results are rounded to whole percentages. No ICC profile is applied.
They are starting values, not colorimetric matches. Before any print run, convert from the HEX through the printer’s own profile and approve a physical proof.
- Espresso and the dark tones come out of the formula as four-color browns with a heavy K. On large solid areas, ask the printer for a rich build tested on the chosen stock.
- Paper, linen and sand are very light tints. On uncoated or warm-toned stock they are often best left to the paper itself rather than printed as a flat tint.
- No Pantone references are specified yet. When a spot ink is needed, choose it against a physical guide with the printer and add it to this page.
Usage rules
- Never use pure white
#FFFFFFor pure black#000000in brand applications. Paper and espresso take their place. The monochrome black logo for single-ink media is the only exception. - Garnet is for action. Do not use it for headlines, decoration or large backgrounds in the product.
- Error red appears only in forms and validation. It is never a brand accent.
- Text on garnet, espresso and cognac deep is always paper. Text on brass is always espresso.
- When placing text on a color not covered by the pairs above, check its contrast before using it.